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課程名稱 |
表導演專題：莎士比亞
Acting/directing Shakespeare |
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開課學期 |
110-2 |
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授課對象 |
文學院 戲劇學系 |
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授課教師 |
呂柏伸 |
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課號 |
Thea5619 |
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課程識別碼 |
129 U3310 |
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班次 |
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學分 |
3.0 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期一3,4,5(10:20~13:10) |
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上課地點 |
總一館106 |
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備註 |
初選不開放。本課程中文授課,使用英文教科書。須經甄選。開學前兩週公佈甄選方式（見大綱之課程要求欄），第一週上課舉行甄選。
限本系所學生(含輔系、雙修生) 且 限學士班二年級以上
總人數上限：20人 |
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課程簡介影片 |
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核心能力關聯 |
本課程尚未建立核心能力關連 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
This course is comprised of a series of introductory acting exercises designed to 1) help students familiarize with Shakespeare's language, knowing the distinctions between prose, rhymed verse and unrhymed verse; 2) provide students with different strategies to be used when speaking Shakespeare’s language. |
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課程目標 |
This course will enable students to gain the skills to read the acting signals that Shakespeare built into his plays and show you how to make interpretative choices. Students will (1) discover how to bring Shakespearean heightened language to life in performance; (2) explore Shakespeare's characters, language and rhythms; (3) rehearse and present two Shakesperean soliloquies; and (4) work with a scene partner on a Shakespearean duologue. |
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課程要求 |
甄選方式：
欲修習本課程者，請於2/14第一次上課時，前來參加甄選。甄選需表演一段莎翁角色的獨白。
獨白務必選自以下指定劇本及譯本 （不推薦使用梁實秋或朱生豪的譯本）
“哈姆雷” “威尼斯商人” “皆大歡喜 (請選彭鏡禧老師翻譯的）
“羅朱” “第十二夜” “麥克貝斯” （馬克白）（方平教授翻譯的版本）
請將你妳挑選的獨白打下來，並加以說明：
1、這是那個角色說的
2、出自那一個劇本
3、角色在什麼樣的情境底下講了這段獨白 （也就是，之前發生了那些事件，讓角色有感而發，說出了這段獨白）
4、角色說這段獨白的行動是什麼？也就是，他為何要說？說了要幹嘛？或期待能幹什麼？
請將以上獨白及說明，於2/10前email至 poshenlu09@ntu.edu.tw，逾期將喪失甄選資格。 |
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預期每週課後學習時數 |
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Office Hours |
備註： Monday 1310~1510
Tuesday 1010~1210 |
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指定閱讀 |
Block, Giles (2013), Speaking the Speech: An Actor's Guide to Shakespeare, London: Nick Hern Books
Noble, Adrian (2010), How to Do Shakespeare, London and New York: Routledge
Parker, Herb (2016), A Monologue Is an Outrageous Situation: How to Survive the 60-Second Audition, New York and London: Focal Press |
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參考書目 |
Barton, John (1984), Playing Shakespeare, London: Methuen Drama.
Brown, John Russell (1996), William Shakespeare: Writing for Performance, London: MacMillan Press LTD.
- (1997), Free Shakespeare, New York and London: Applause.
Carson, Christie and Karim-Cooper, Farah (2008), Shakespeare’s Globe: A Theatrical Experiment, Cambridge Uni. Press.
Gurr, Andrew and Ichikawa, Mariko (2000), Staging in Shakespeare’s Theatre, Oxford Uni. Press. |
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評量方式
(僅供參考) |
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No. |
項目 |
百分比 |
說明 |
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1. |
Soliloquy Performance |
40% |
each soliloque for 20% |
2. |
reading reflective report |
30% |
3 in total |
3. |
Final Presentation - Scene work |
30% |
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週次 |
日期 |
單元主題 |
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第1週 |
2/14 |
Audition |
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第2週 |
2/21 |
Picking Your Monologue: What to Look for in a Monologue |
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第3週 |
2/28 |
Working on your Monologue (I) |
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第4週 |
3/07 |
Working on your monologue (II) |
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第5週 |
3/14 |
Working on your monologue (III) |
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第6週 |
3/21 |
First Presentation of your Monologue |
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第7週 |
3/28 |
Working on your monologue (IV) |
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第8週 |
4/04 |
Working on your Monologue (V) |
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第9週 |
4/11 |
Working on your monologue (VI) |
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第10週 |
4/18 |
Second Presentation of your monologue |
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第11週 |
4/25 |
Working on your Duologue (I) |
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第12週 |
5/02 |
Working on your Duologue (II) |
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第13週 |
5/09 |
Theatre Week |
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第14週 |
5/16 |
Working on your Duologue (III) |
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第15週 |
5/23 |
Working on your Duologue (IV) |
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第16週 |
5/30 |
Presentation of your Duologue |
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第17週 |
6/06 |
Course Review |
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